
Antelope Island State Park
A causeway reaches the Great Salt Lake’s largest island, where bison, shorebirds, beaches, ranch history, and mountain trails share a saline landscape.
Browse Explore’s field guide to destinations, wildlife, art, and the natural world. Open a discovery for practical details and background.

A causeway reaches the Great Salt Lake’s largest island, where bison, shorebirds, beaches, ranch history, and mountain trails share a saline landscape.

White and red Navajo sandstone, dark lava flows, tubes, dunes, and desert life compress a remarkable geologic cross-section into one canyon.

Salmon-colored sand moves through a notch between plateaus, supporting recreation and a tiger beetle found nowhere else.

Sipapu, Kachina, and Owachomo span White Canyon, where flowing water—not arch-style weathering—cut openings through stone fins.

Nearly roadless plateaus, slot canyons, badlands, and fossil-bearing formations spread across a monument larger than many national parks.

Walter’s Wiggles and a chain-assisted sandstone ridge lead to a famous perch with severe exposure and no room for casual risk.

Hikers travel directly through the Virgin River between thousand-foot walls, where flow, cold water, footing, and flash floods govern every decision.

Two Bryce trails combine into a steep descent through Wall Street or Two Bridges and a gentler return among Queen’s Garden formations.

A demanding backcountry circuit crosses passes, open grassland, and the narrow Joint Trail among the Needles district’s striped sandstone spires.

A short but exposed climb leaves Highway 24 for a 133-foot sandstone bridge, Fremont granaries, and broad Waterpocket Fold views.

The trail rises from shaded Big Cottonwood Canyon to Lake Blanche beneath Sundial Peak, gaining nearly three thousand feet in under four miles.

A long alpine route climbs meadows, switchbacks, and a final exposed ridge to the 11,752-foot summit of Mount Timpanogos.

A sandy route follows perennial Calf Creek past beaver habitat, granaries, and pictographs to a cool alcove and high waterfall.

Fremont and Ute rock imagery, habitation sites, ranches, and a historic freight road extend through a long canyon often misnamed for its length.

Hundreds of deeply pecked figures overlap on a dark desert-varnish panel made by multiple Indigenous cultures across many generations.

A narrow wind gap holds layered petroglyphs and historic inscriptions where travel routes cross between the Parowan Valley and western desert.

Exceptionally dry deposits near the Bonneville shoreline preserve evidence of repeated human use reaching back roughly thirteen thousand years.

A research museum, visible collections, and a partially reconstructed village place Four Corners archaeology beside the communities and landscapes that produced it.

Construction of Interstate 70 exposed one of Utah’s largest Fremont villages; a museum and canyon trails now connect recovered objects with rock imagery and place.

Six ancestral Pueblo communities preserve towers, room blocks, and careful masonry across the Utah–Colorado border.

Replica locomotives, original grades, and Promontory Summit frame the 1869 ceremonial completion of the first transcontinental railroad.

A Delta museum and the remote camp landscape preserve art, documents, barracks evidence, and testimony from people imprisoned at Topaz during World War II.

Sacred buildings, gardens, music, visitor spaces, and extensive construction occupy the symbolic center of The Church of Jesus Christ of Latter-day Saints.

A surviving inn, commissary, cemetery, and museum interpret the enormous 1858–61 military camp established during the Utah War.

One completed sandstone wing preserves the brief period when Fillmore served as territorial capital and reveals the politics behind a building never finished.

Formal gardens, water-wise planting, natural-area trails, and a concert amphitheater climb the foothills above the University of Utah.

Waterfalls, lawns, themed plantings, sculpture, and the Light of the World Garden unfold along a large walkable landscape at Thanksgiving Point.

Asian Highlands, African Savanna, Great Ape Building, and Utah-focused conservation programs occupy a compact hillside at Emigration Canyon’s mouth.

One of the nation’s oldest public aviaries combines intimate habitats, free-flight programs, and conservation work in a walkable garden setting.

Large aquatic habitats connect global ecosystems with Utah’s rivers and lakes inside a distinctive campus anchored by the recycled EECO structure.

This long-lived Utah Lake endemic survives through coordinated habitat restoration, captive propagation, flow management, and reconnection to tributaries.

A native chub built for the Virgin River’s warm floods survives in a system transformed by water diversion, invasive fish, and development.

A pale, fast-running predator survives nowhere beyond a small portion of Coral Pink Sand Dunes, where its color nearly erases it against the sand.

This rare milkvetch occupies scattered patches of unusual clay soil in southwestern Utah, where development and invasive plants compress an already tiny range.

A silver-leaved mustard with bright yellow flowers survives on a tiny set of gypsum-derived soils near Utah’s Kodachrome country.

A small cactus nearly disappears into Uinta Basin gravel until a ring of vivid spring flowers briefly reveals it.

This slow-growing native forms much of Utah’s pinyon-juniper woodland, surviving heat, cold, and lean soils through scale leaves and extensive roots.

Utah’s state bird is an inland gull whose vast Great Salt Lake gatherings connect nesting islands, farm fields, wetlands, and migration routes.

One of North America’s largest birds nests on remote Great Salt Lake islands and travels astonishing distances to feed in freshwater wetlands.

Utah’s state bird of prey is a powerful open-country eagle most often discovered as a dark, steady shape circling over cliffs and basins.

Utah’s state fish survives as a native cutthroat lineage in restored streams and lakes of the ancient Lake Bonneville basin.

Nine intimate galleries trace how Georgia O’Keeffe moved from radical charcoal abstractions to New York architecture, flowers, bones, and the northern New Mexico landscapes she made unmistakably her own.

Massive great houses, engineered masonry, ceremonial spaces, roads, and alignments reveal Chaco Canyon as the center of an Ancestral Puebloan world whose descendant communities remain deeply connected to it.

Wind reshapes a brilliant gypsum dunefield where dune crests migrate, plants build pedestals to survive burial, pale animals blend into white sand, and ancient footprints preserve a far older landscape.

New Mexico’s state bird is a large ground-dwelling cuckoo: a fast, territorial hunter that rudders with its tail, flashes white wing patches, warms dark skin in the morning sun, and sounds nothing like a cartoon beep.

New Mexico’s state tree is a small, slow-growing pine that builds vast woodlands with juniper, feeds birds, mammals, and people with unusually large seeds, and records drought visibly in its crown.

New Mexico modernism, photography, historic painting, and contemporary work unfold inside the 1917 building that helped define Santa Fe’s Pueblo Revival civic style.

Ancestral objects, contemporary art, community voices, and the Laboratory of Anthropology place the Southwest’s Indigenous histories in conversation with living Native nations.