
Clifton Gorge State Nature Preserve
The Little Miami River races through a postglacial gorge of Silurian limestone and dolomite, revealing potholes, slump blocks, fossils, rapids, and cool habitats along cliff-edge trails.
Browse Explore’s field guide to destinations, wildlife, art, and the natural world. Open a discovery for practical details and background.

The Little Miami River races through a postglacial gorge of Silurian limestone and dolomite, revealing potholes, slump blocks, fossils, rapids, and cool habitats along cliff-edge trails.

A cool, narrow Black Hand Sandstone ravine offers an accessible lower approach beneath 200-foot walls, while an exposed rim loop climbs above the canopy for demanding cliff-edge views.

A forest trail crosses a working-landscape edge to reach a slender Black Hand Sandstone arch more than 100 feet long above a tributary ravine of the Hocking River.

A 400-foot trough of parallel grooves exposes Devonian limestone, marine fossils, and the abrasive force of debris-laden ice on an island reached only by ferry, boat, or plane.

A mile-long boardwalk enters Ohio’s richest calcareous fen complex, where cold mineral groundwater supports orchids, sedges, northern white cedar, prairie species, spotted turtles, and remarkable seasonal change.

A Victorian glasshouse opens into rainforest, desert, Pacific-island, bonsai, culinary, and seasonal gardens where plants share the stage with a major Dale Chihuly installation.

A vast Lake County landscape joins cultivated collections, native forests, ponds, and ravines with a 65-foot canopy walk and a 120-foot tower looking toward Lake Erie.

Nearly 2,000 acres combine a historic home landscape, Japanese garden, cypress swamp, conifer glen, native habitats, and an eight-mile driving tour east of Columbus.

Formal terraces, woodland paths, seasonal borders, a historic French Provincial mansion, greenhouse, and contemporary Garden Gateway fill a 47-acre Mansfield estate.

A dramatic glasshouse moves between Madagascar’s dry spiny forest and Costa Rica’s cloud forest before paths unfold through Japanese, rose, woodland, restorative, and children’s gardens.

One of the country’s largest zoo campuses combines seven geographic regions, conservation interpretation, an aquarium, rides, seasonal experiences, and enough walking to demand a route.

Opened in 1875, the nation’s second-oldest zoo layers celebrated animal habitats, mature trees, pollinator gardens, conservation science, and steep Cincinnati terrain into a compact urban campus.

A pedestrian bridge joins animal habitats and a 178,000-gallon aquarium to an extraordinary cluster of Works Progress Administration buildings from the 1930s.

Hillside paths connect African Elephant Crossing, primates, cats, bears, Australian habitats, and a vast indoor rainforest where a geodesic dome shelters a two-level tropical world.

More than 1,000 animals occupy themed habitats from Grizzly Ridge and Wild Asia to Pride of Africa, Madagascar, and Komodo Kingdom on a manageable but distinctly sloping campus.

This nonvenomous, often nearly patternless watersnake lives on the limestone islands of western Lake Erie, where invasive round gobies transformed most of its diet and helped fuel a celebrated recovery.

Ohio’s namesake tree is a small-to-medium woodland understory species recognized by five leaflets, upright yellow-green flower clusters, and mahogany seeds marked with a pale eye.

A rare Great Lakes endemic can turn nearly barren alvar gold for a single synchronized week, surviving in thin soil over limestone where few flowering plants tolerate heat, wind, and drought.

More than 65,000 works range across continents and millennia, while Diego Rivera’s Detroit Industry murals turn the building itself into an argument about labor, technology, and civic patronage.

The Rosa Parks bus, presidential vehicles, agricultural machines, locomotives, aircraft, domestic technology, and manufacturing systems place innovation beside labor, power, risk, and daily life.

Hitsville U.S.A., Studio A, control-room equipment, offices, costumes, photographs, and the Gordy family apartment connect a global catalog to a pair of modest houses on West Grand Boulevard.

The core exhibition moves from African civilizations through enslavement, resistance, migration, Detroit industry, civil rights, and contemporary culture using environments, artifacts, documents, and recorded voices.

Objects, oral histories, art, music, work, faith, politics, and family archives introduce many Arab American communities without collapsing distinct countries, religions, generations, or migration histories.

Anishinaabe homelands, mining, lumber, agriculture, migration, manufacturing, labor, leisure, and political change unfold through artifacts and large environments inside the state archives complex.

The Whitefish Point light station, restored keepers’ buildings, lifesaving history, ship models, recovered artifacts, and Edmund Fitzgerald bell explain why this shoreline became both navigational landmark and memorial.

Three floors combine Anishinaabe history, furniture design, habitats, fossils, transportation, a working carousel, changing exhibitions, and a planetarium beside the Grand River.

Modern and contemporary art, architecture, craft, and design occupy Eliel Saarinen’s limestone museum within a campus where buildings, landscapes, studios, and collections were conceived together.

African, Asian, European, American, modern, and contemporary works share a free university museum whose open study spaces and changing installations make interpretation visibly provisional.

Changing contemporary exhibitions occupy Zaha Hadid’s pleated stainless-steel structure, where angled galleries and unexpected sightlines make architecture an active participant rather than a neutral container.

Historic aircraft, restoration work, space artifacts, flight simulators, rides, and science demonstrations spread across two buildings near Kalamazoo’s airport.

Hundreds of vehicles, recreated dealerships, marque collections, motorcycles, barns, and period streets turn transportation history into a walk through changing design, production, aspiration, and use.

Regional history, a large vehicle gallery, hands-on science, early-childhood spaces, and rotating exhibitions connect Flint’s industrial influence to geology, migration, design, labor, and community change.

The Saginaw Chippewa Indian Tribe presents origin, kinship, language, treaty history, removal, boarding schools, sovereignty, cultural continuity, and contemporary community life through its own institutional voice.

European, American, African, Asian, Indigenous, decorative, modern, and contemporary art share the building with active glass, ceramics, and art-school studios.

Historic structures moved from across the country create farms, workshops, streets, laboratories, homes, railways, and demonstrations where labor and technology can be watched at human scale.

The 1904 factory preserves experimental rooms, early vehicles, wood floors, columns, and narrow industrial proportions where Ford developed and first assembled the Model T.

Fourteen restored buildings, military exhibits, demonstrations, archaeology, and commanding harbor views interpret British and American control of the Straits from the Revolutionary era into the late nineteenth century.

Reconstructed French and British buildings, costumed interpretation, gardens, trade stories, and one of North America’s longest-running archaeological programs occupy the original fort-and-village footprint.

A visitor center, battlefield landscape, artifacts, and Indigenous, British, Canadian, and American perspectives examine the River Raisin battles, their aftermath, and the War of 1812 borderland.

A company town, charcoal-iron furnace complex, hotel, homes, docks, and limestone cliffs survive around Snail Shell Harbor on the Garden Peninsula.

Surface ruins, the 1918 hoist, a cog-rail tram, underground tour, machinery, and workers’ stories reveal the extraordinary depth and infrastructure of Keweenaw copper mining.

Albert Kahn’s Cotswold-inspired house, Jens Jensen landscape, collections, service spaces, and lakeshore reveal design, family life, wealth, work, and philanthropy beyond automotive mythology.

The Tudor Revival mansion, collections, gardens, service areas, and Dodge-Wilson family history connect automotive fortunes to architecture, philanthropy, domestic labor, and Oakland University.

Guided rooms, studios, terraces, built-in furniture, reflecting water, and patented Unit Blocks reveal how Alden B. Dow tested architecture as a continuous environment.

The Art Deco skyscraper’s vaulted lobby, Pewabic and Rookwood tile, mosaics, metalwork, murals, and Native-derived motifs create one of Detroit’s most concentrated architectural interiors.

Michigan’s largest known collection of Indigenous rock carvings lies beneath a protective pavilion beside the Cass River, interpreted in partnership with the Saginaw Chippewa Indian Tribe.

Mineral-streaked cliffs, beaches, dunes, waterfalls, forest, and Lake Superior weather stretch for more than forty miles between Munising and Grand Marais.

Perched dunes, forests, beaches, islands, historic farms, maritime sites, and Anishinaabe stories form a varied Lake Michigan landscape rather than a single giant sand hill.