
North Atlantic Right Whale
A broad back, rough head callosities, and V-shaped blow identify one of Earth’s rarest whales when it gathers seasonally off Massachusetts.
Browse the published Explore collection for Rhode Island, United States. Open a discovery for its field guide, practical details, and background.

A broad back, rough head callosities, and V-shaped blow identify one of Earth’s rarest whales when it gathers seasonally off Massachusetts.

A chin barbel, pale lateral line, and three dorsal fins identify the cold-water fish that shaped Massachusetts food, trade, and politics.

New Hampshire’s state bird is a stout forest finch whose males look washed in raspberry and whose movements follow shifting seed crops.

America’s most widespread bear is often easier to recognize by tracks, clawed logs, and overturned stones than by a direct sighting.

Ancient objects, textiles, decorative arts, painting, photography, and contemporary work fill linked buildings shaped by a teaching museum’s close-looking mission.

Birds, minerals, cultural collections, local ecology, and a compact planetarium make Rhode Island’s only natural-history museum an unusually affordable park stop.

Water, construction, motion, stories, and Rhode Island community life become hands-on environments designed for children to test ideas through play.

American art, Newport makers, changing exhibitions, and the shingled Griswold House connect a living art community with the city’s visual history.

Focused rotating shows place rare cars, motorcycles, engineering, fashion, and social history inside a compact Bellevue Avenue gallery.

Historic grass courts, sporting artifacts, interactive media, and Stanford White’s shingled Newport Casino connect the game’s past to an active tournament site.

America’s Cup defenders, steam engineering, half models, tools, and waterfront workshops preserve the inventive culture of the Herreshoff Manufacturing Company.

A curved dorsal fin, robust gray body, and short bottle-shaped beak mark a dolphin that finds prey through both vision and echolocation.

Recreated workspaces, family rooms, schools, union history, and Franco-American stories make Blackstone Valley industrialization personal rather than abstract.

Knobbed head, extraordinarily long flippers, and deeply notched tail flukes identify a whale that migrates between feeding and breeding seas.

Narragansett and other Southern New England voices use belongings, art, language, and programs to place tribal life before, through, and beyond colonization.

Ship models, campaign plans, communications, and Newport naval history occupy the college’s original building beside Narragansett Bay.

Round head, spotted coat, and V-shaped nostrils distinguish the true seal most regularly seen around Rhode Island.

Trade, faith, printing, slavery, revolution, tourism, and everyday objects introduce Newport before visitors encounter its streets and houses.

Keeper tools, lenses, shipwreck stories, and coastal navigation occupy the base of an active lighthouse surrounded by exposed rock and powerful water.

Black cap, white cheeks, small bib, and a curious approach make this year-round northern songbird a foundational backyard identification.

Maritime work, Indigenous history, tourism, family life, storms, and preservation fill an 1871 island house near Old Harbor.

Mottled bark-colored plumage, a dark tail band, and the male’s accelerating wing-drumming suit dense young forest better than open lawn.

Blacksmithing, printing, farming, textiles, boats, and domestic collections animate Rhode Island’s South County through demonstrations and compact exhibit buildings.

Original interiors, textiles, family belongings, carriages, and wooded grounds preserve a Warwick home across multiple generations rather than one restored decorative period.

Spotted breast, plain face, and a reddish tail contrasting with a browner back identify the thrush behind one of Vermont’s clearest woodland songs.

Marble, mosaics, carved wood, service systems, and ocean terraces make this 1895 summer house Newport’s clearest expression of Gilded Age wealth.

Alva Vanderbilt’s temple-like summer house joins Beaux-Arts ceremony, political ambition, and a Chinese Tea House overlooking the sea.

Formal gardens, French-inspired rooms, rooftop views, and a remarkable below-stairs tour expose both display and domestic infrastructure.

Dark eye stripe, kinked long wings, and reversible outer toes identify the fish specialist nesting beside Oregon waters.

Stanford White’s white terracotta mansion turns an oval ballroom, sweeping stair, ocean lawn, and party history into one highly staged social machine.

Victorian stone architecture and richly layered interiors reveal how Newport’s earlier merchant elite repeatedly remade taste before the Gilded Age peak.

A jaw extending behind the eye, deep body, and dark side stripe separate largemouth bass from their smaller-mouthed relatives.

A deep compressed body, dark ear flap, and blue-green cheek identify a widespread sunfish that rewards close looking.

Peter Harrison’s 1763 sanctuary, a living congregation, and the Washington–Seixas correspondence anchor a precise story of Jewish Newport and American liberty.

An imposing 1788 house uses architecture, furnishings, trade, politics, and enslavement to confront the foundations of early Providence power.

Duckbill snout, rear-set fins, and pale bean-shaped spots identify the pike waiting almost motionless beside cover.

Original painted walls, stained glass, gaslight-era technology, family belongings, and servant spaces survive in an unusually intact Providence mansion.

Eighteenth-century rooms, documents, furnishings, and a steep urban site connect colonial Providence with statesman Stephen Hopkins and enslaved household labor.

A slender silver body, oblique spots, yellowish fins, and drumming muscles identify this estuarine member of the drum family.

Waterpower, spinning machinery, worker stories, and three historic buildings mark a pivotal transition toward factory production in the United States.

A colonial house, operating gristmill, snuff mill, pond, and art collection connect Gilbert Stuart’s beginnings to the rural industry around his family.

Orange wings with heavy black veins identify a migrant whose caterpillars can eat only milkweeds and whose journey outlasts any one summer adult.

A seventeenth-century house, gardens, documents, and archaeology interpret colonization, enslavement, the Narragansett homeland, and generations of household labor.

Large size, bright green thorax, and a dark bull’s-eye on the forehead help identify a darner capable of continental movement.

Architecture, family collections, maritime trade, slavery, politics, and later performing arts converge in an 1810 house near Bristol harbor.

Paired rows of yellow spots and an orange-centered hindwing eye distinguish a butterfly whose striped caterpillar feeds on carrots’ wild relatives.

Ramparts, casemates, listening tunnels, harbor views, and military history make America’s largest coastal fortification a spatial puzzle rather than a single wall.

Heritage livestock, hearth cooking, tools, crops, and seasonal work interpret the lives of ordinary tenant farmers on a compact Bristol landscape.