
Purple Finch
New Hampshire’s state bird is a stout forest finch whose males look washed in raspberry and whose movements follow shifting seed crops.
Browse the published Explore collection for Maine, United States. Open a discovery for its field guide, practical details, and background.

New Hampshire’s state bird is a stout forest finch whose males look washed in raspberry and whose movements follow shifting seed crops.

Atlantic puffins returned to historic Maine nesting islands through decades of seabird restoration, social attraction, and careful colony protection.

This cold-adapted butterfly survives on Katahdin’s alpine tableland, isolated from related arctics by forest and thousands of years of climate change.

Rediscovered after decades of presumed extinction, this rare wildflower lives only on naturally eroding banks of the upper Saint John River.

America’s most widespread bear is often easier to recognize by tracks, clawed logs, and overturned stones than by a direct sighting.

Long legs, a heavy overhanging muzzle, and an appetite for twigs and aquatic plants make the moose unmistakably built for northern country.

A curved dorsal fin, robust gray body, and short bottle-shaped beak mark a dolphin that finds prey through both vision and echolocation.

Knobbed head, extraordinarily long flippers, and deeply notched tail flukes identify a whale that migrates between feeding and breeding seas.

Round head, spotted coat, and V-shaped nostrils distinguish the true seal most regularly seen around Rhode Island.

Black cap, white cheeks, small bib, and a curious approach make this year-round northern songbird a foundational backyard identification.

Heavy bill, shaggy throat, and wedge-shaped tail separate the raven from crows as it works cliffs, tundra, forests, and towns.

Mottled bark-colored plumage, a dark tail band, and the male’s accelerating wing-drumming suit dense young forest better than open lawn.

Spotted breast, plain face, and a reddish tail contrasting with a browner back identify the thrush behind one of Vermont’s clearest woodland songs.

Dark eye stripe, kinked long wings, and reversible outer toes identify the fish specialist nesting beside Oregon waters.

A jaw extending behind the eye, deep body, and dark side stripe separate largemouth bass from their smaller-mouthed relatives.

A deep compressed body, dark ear flap, and blue-green cheek identify a widespread sunfish that rewards close looking.

Duckbill snout, rear-set fins, and pale bean-shaped spots identify the pike waiting almost motionless beside cover.

A slender silver body, oblique spots, yellowish fins, and drumming muscles identify this estuarine member of the drum family.

Orange wings with heavy black veins identify a migrant whose caterpillars can eat only milkweeds and whose journey outlasts any one summer adult.

Large size, bright green thorax, and a dark bull’s-eye on the forehead help identify a darner capable of continental movement.

Paired rows of yellow spots and an orange-centered hindwing eye distinguish a butterfly whose striped caterpillar feeds on carrots’ wild relatives.

A dark firefly with pale margins and an angular shield pattern, Say’s firefly turns summer dusk into species-specific communication.

Three broad leaves, three white petals, and a flower held above a single whorl mark Ohio’s woodland wildflower.

Opposite broad leaves, milky sap, round pink flower clusters, and warty pods identify a plant central to monarch development.

Glossy evergreen leaves and clustered pink-white cups patterned with ten pockets identify Connecticut’s state flower.

Bristle-tipped leaf lobes, shallow-striped bark, and broad acorns distinguish New Jersey’s state tree from rounded-lobed white oaks.

Four-lobed leaves with a notched flat tip and green-orange tulip-like flowers identify one of eastern North America’s tallest hardwoods.

Flat short needles with pale undersides, tiny hanging cones, and drooping twig tips identify Pennsylvania’s state tree.

Red buds, flowers, leaf stalks, and paired winged seeds recur across the year on Rhode Island’s adaptable state tree.

Long flexible needles grouped in fives, slender cones, and layered horizontal branches identify the eastern white pine.

The collection gives Winslow Homer, Marsden Hartley, and the Wyeth family room to converse with European, American, and contemporary work.

Wyeth holdings, modernists, folk art, and living Maine artists turn regional identity into a broad artistic argument rather than a souvenir view.

A 20-acre Kennebec River campus combines shipbuilding tools, historic buildings, full-scale sculpture, lighthouse interpretation, and waterborne excursions.

The museum is especially strong in American modernism, works on paper, and art connected to Maine, while campus installations and changing projects keep the visit from feeling sealed inside galleries.

Ancient Mediterranean objects, European painting, American art, and contemporary exhibitions support unusually close comparison in a compact museum.

The collections span archaeology, industry, natural history, domestic life, and the labor that shaped Maine.

The museum centers Maliseet, Mi’kmaq, Penobscot, and Passamaquoddy voices through archaeology, art, language, and living cultural practice.

A makerspace, water play, a camera obscura, small-animal interpretation, and an active children’s theater encourage sustained experimentation rather than passive display.

Historic locomotives, coaches, artifacts, and a waterfront train ride explain why unusually narrow railways once connected rural Maine communities and industries.

Streetcars, interurbans, buses, restoration shops, and a demonstration railway show how public transit shaped cities before automobile dominance.

Aircraft, automobiles, motorcycles, engines, and bicycles are interpreted as functioning systems rather than polished shells.

Exceptional local minerals, gemstones, mining history, and extraterrestrial material move from the state’s pegmatites to planetary science.

Historic buildings, marine paintings, photography, tools, vessels, and domestic objects reveal how Penobscot Bay communities participated in worldwide commerce.

Changing exhibitions give artists room for installation, abstraction, social inquiry, and new media without pretending there is one Maine style.

Nature, anatomy, engineering, art, play, and Maine environments are built for touching, climbing, making, and conversation.

Historic expedition records, Inuit art, clothing, tools, photography, and environmental research show both the ambitions and limits of southern exploration narratives.

A compact collection of modern and contemporary American art is joined to sculpture gardens and an ocean-facing site.

Wabanaki material culture, archaeological holdings, and global collections are presented as records of living communities and changing museum practice.