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Telfair Museums

Telfair Academy, the Owens-Thomas House & Slave Quarters, and the contemporary Jepson Center connect art collecting, urban slavery, architecture, and new work across three nearby sites.

Telfair Museums

Artwork inspired by Hattie Saussy

Telfair Museums is most revealing when treated as three related institutions rather than a single collection. Telfair Academy embodies elite architecture and collecting; the Owens-Thomas House and Slave Quarters confront the spatial organization of domestic power and enslaved labor; and the Jepson Center brings contemporary art into that civic conversation.

Anchor the itinerary around the more limited house-tour capacity, then give the two art museums room to answer what the historic property makes visible. Moving between mansion, surviving slave quarters, academy galleries, and a contemporary building allows architecture itself to become evidence. The multi-day ticket supports this comparative reading better than compressing all three sites into one hurried afternoon.

Telfair Academy
Historic academy galleries
Owens-Thomas slave quarters
Surviving urban slave quarters
Jepson Center
Contemporary art building

Quick guide

Do not rush
The multi-day ticket is more valuable than forcing all three sites into one afternoon.
Fixed-time anchor
Build the day around the house tour, then walk between the art buildings.

Three buildings, three civic stories

Fix the schedule
Reserve Owens-Thomas first because its house tours have tighter capacity than the two art museums.
At the Academy
Read elite collecting and William Jay’s architecture together instead of treating the rooms as neutral galleries.
At Owens-Thomas
Use the mansion and slave quarters to compare power, labor, circulation, and survival within one property.
Finish at Jepson
Ask how a contemporary civic museum answers—or avoids—the histories made visible at the older sites.

Good to know

Reserve the house first, then fit the two art buildings around that fixed time.

Notice these

Official information

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